New York’s Standard for Grand Choral Performance

KENT TRITLE, MUSIC DIRECTOR

2022–23 season

Stern Auditorium / Perelman Stage
at Carnegie Hall

Kent Tritle, Music Director

2022–2023 Season

Stern Auditorium / Perelman Stage at Carnegie Hall
Kent Tritle, Music Director

Monday, December 19, 2022 at 8 PM

HANDEL Messiah

OSNY returns to Carnegie Hall for its 147th annual performance of Handel’s Messiah – a holiday tradition since 1874

Kent Tritle
Oratorio Society of New York
chorus, orchestra, and soloists:
Maria Brea soprano • Heather Petrie contralto
Joshua Blue tenor • Jesse Blumberg baritone

complete concert info + single tickets

Monday, May 8, 2023 at 8 PM

BACH Mass in B minor

Presenting Bach’s pinnacle of Baroque sacred music, the Mass in B Minor. His largest and most complex mass encompasses the range of human experience, from joy to sorrow and solemnity to praise.

Kent Tritle
Oratorio Society of New York
chorus, orchestra, and soloists:
Emily Donato soprano • Lucia Bradford mezzo-soprano
Brian Giebler tenor • Sidney Outlaw baritone

complete concert info + single tickets

 

Individual tickets also available through:
carnegiehall.org
CarnegieCharge 212-247-7800
Box Office at 57th & 7th Ave, Manhattan


Single Ticket Prices for all concerts

1st Tier Box $100 • 2nd Tier Box Center $80 • 2nd Tier Box Sides $60
Prime Parquet $90 • Non-Prime Parquet $70 • Dress Circle $55
Balcony Front $42 • Balcony Rear $28

broadway world review: nation of others

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“All the sonic and dramatic elements of the piece came together smoothly in a well-paced performance whose final crescendo on the word “Free” brought a tear to the eye and the audience to its feet.”

David Wright, New York Classical Review

"The first chorus, climaxing with the phrase 'Let there be light' was simply thrilling, with the singers of the Oratorio Society rising over the orchestra in a powerful surge of sound."

Paul J. Pelkonen, PaperBlog

"Throughout, conductor and OSNY musical director Kent Tritle drew virtuosity and dramatic flair from chorus and orchestra, both of which were in top form.”

Jon Sobel, BlogCritics.org

"It was a pleasure to hear the Oratorio Society’s splendid performance of Mozart’s beguiling arrangement under Mr. Tritle."

Anthony Tommasini, The New York Times

"What mattered most, of course, was the fine music-making."

Anthony Tommasini, The New York Times

"The chorus of nearly 200 voices sounded rich and full-bodied but never forced, and won the biggest, and deserved, ovation."

Anthony Tommasini, The New York Times

"a beautifully blended, thoroughly unified sound"

Allan Kozinn, New York Times (May 22, 2008)

"the sheer energy of the society’s sound had an enveloping fervor"

Allan Kozinn, NY Times (May 22, 2008)

"As I have learned to expect from the acclaimed OSNY, choral blend was outstanding."

Edward Kliszus – The Front Row Center

"Most important, with Mr. Tritle at the helm, quality and quantity are equal."

Harry Rolnick – ConcertoNet.com

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