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26-27 / 153rd Season
New York’s Standard For Grand Choral Performance

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26-27 / 153rd Season • New York’s Standard For Grand Choral Performance

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Kent Tritle

Music Director

Kent Tritle is one of America’s leading choral conductors. Called “the brightest star in New York's choral music world” by The New York Times, he is Director of Cathedral Music and Organist at the Cathedral of St. John the Divine in New York City; the Grammy-nominated Music Director of the Oratorio Society of New York, the esteemed volunteer chorus; and Music Director of Musica Sacra, New York’s elite professional chorus. Kent is a member of the graduate faculty of The Juilliard School, serving its Vocal Arts Department.

An acclaimed organ virtuoso, Kent Tritle is the organist of the New York Philharmonic.

Kent Tritle’s 2026-27 concert season is highlighted by performances of major works with his three choruses: Mozart’s Requiem with the Cathedral Choirs of St. John the Divine, Bach’s Mass in B Minor with the Oratorio Society of New York (OSNY), and Thea Musgrave’s The Voices of Our Ancestors with Musica Sacra. In addition, he leads “SurRound: The Earth Remembers,” the latest iteration of Musica Sacra’s immersive concert format, under the Gaia art installation at St. John the Divine, and Britten’s A Ceremony of Carols, the focus of that group’s annual holiday concert; and Jasmine Barnes’s Portraits: Douglass & Tubman, Fauré’s Requiem, and Handel’s Messiah with the OSNY in its Carnegie Hall programs. Kent also prepares Musica Sacra for its latest collaborations with other top-tier organizations, including Carnegie Hall’s presentation of Götterdämmerung conducted by Gianandreda Noseda with the Orchestra of the Zurich Opera, and the New York Philharmonic’s presentation of Amadeus in Concert live score performance.

As music director of OSNY since the 2005-06 season, and the tenth conductor to lead the Oratorio Society of New York since its founding in 1873, Kent has honed the ensemble into New York’s standard for grand choral performance. He has expanded the chorus’s range to include not only acclaimed interpretations of works such as Bach’s Mass in B Minor and St. Matthew Passion, Mendelssohn’s Elijah, and Verdi’s Requiem, but a broader span of 20th- and 21st-century music – notably the world premieres of An American Trilogy, the trio of oratorios by Paul Moravec and Mark Campbell commissioned by OSNY that include the Grammy-nominated Sanctuary Road.

Musica Sacra’s Music Director since 2008, Kent Tritle has both championed the chorus’s reputation as a interpreter of Baroque and Classical masterworks and broadened its reach of repertoire from medieval music to world premieres. During his tenure, Musica Sacra has presented more than 50 concerts in New York’s most prestigious venues as well as garnered acclaim for performances with the New York Philharmonic, New York City Ballet, Orchestra of St Luke’s, The Juilliard School, and other cultural landmark organizations, and has released two recordings of music by contemporary composers.

During his tenure at St. John the Divine, Kent Tritle has relaunched and curated the Great Music in a Great Space concert series, with concerts celebrating the many acoustical and spatial possibilities of the world’s largest Gothic cathedral. The professional Cathedral Choir is acclaimed for its excellence under his direction; in addition, with the guidance of Kent’s music ministry team, the volunteer Chorale and the historic Chorister program continue to thrive. Through the concert series and the liturgical music program, Kent has deepened the musical repertoire heard in the Cathedral – highlights have included many concerts in collaboration with Rose of the Compass, a Middle-Eastern themed instrumental ensemble, as well as programs ranging from Gregorian chant to world premieres.

Kent Tritle is renowned as a master clinician, giving workshops on conducting and repertoire; recent years have included workshops at the Amherst Early Music Festival, Berkshire Choral International, Summer@Eastman, and at the Sibelius Academy in Helsinki. As Director of Choral Activities at the Manhattan School of Music from 2008 to 2022, Kent established the school’s first doctoral program in choral conducting. A Juilliard School faculty member since 1996, he currently directs a graduate practicum on oratorio in collaboration with the school’s Vocal Arts Department.

In more than 150 concerts presented by the Sacred Music in a Sacred Space series from 1989 to 2011, Kent Tritle conducted the Choir and Orchestra of St. Ignatius Loyola in a broad repertoire of sacred works, and was credited with building the choir and the concert series into one of the highlights of the New York concert scene.  From 1996 to 2004, Tritle was Music Director of the Emmy-nominated Dessoff Choirs. Kent hosted “The Choral Mix with Kent Tritle,” a weekly program devoted to the vibrant world of choral music, on New York’s WQXR from 2010 to 2014.

As an organ recitalist, Kent Tritle performs regularly in Europe and across the United States; recital venues have included the Leipzig Gewandhaus, the Zurich Tonhalle, the Church of St. Sulpice in Paris, Dresden’s Hofkirche, King’s College at Cambridge, Westminster Abbey, and St. Vitus Cathedral in Prague. As the organist of the New York Philharmonic, he has performed Saint-Saëns’s “Organ” Symphony conducted by Lorin Maazel, Andrew Davis, Antonio Pappano, David Robertson, and Stéphane Denève. He is featured on the DVDs The Organistas and Creating the Stradivarius of Organs. In 2024, Kent was featured in two public television series: Confluence, about art, science, and creativity, in a segment about the pipe organ, and the All-Star Orchestra as the soloist in Saint-Saëns’ “Organ Symphony.”

Kent Tritle’s discography of more than two dozen releases includes recordings on the Telarc, Naxos and MSR Classics labels. His most recent recordings were made live at Carnegie Hall, with works by Moravec/Campbell including the Grammy-nominated performance of Sanctuary Road with the Oratorio Society of New York. With Musica Sacra he has most recently recorded Eternal Reflections: Choral Music of Robert Paterson and Lauds by Laurence Bunin. He recorded Juraj Filas’ Requiem, Oratio Spei, with the Prague Symphony Orchestra and the Kühn Choir, and a host of recordings ranging from Gregorian chant to Schnittke’s Concerto for Choir with the Choir of St Ignatius Loyola. His discography also includes highly acclaimed organ recordings on the Gothic and Epiphany labels.

Kent is the 2020 recipient of Chorus America’s Michael Korn Founders Award for Development of the Professional Choral Art. Other recent honors include the 2017 Distinguished Achievement Award from Career Bridges and the 2016 President’s Medal for Distinguished Service from the Manhattan School of Music. Kent is on the advisory boards of the Choral Composer/Conductor Collective (C4) and the Clarion Music Society, and was the 2016 honoree at Clarion’s annual gala.

Kent Tritle holds graduate and undergraduate degrees from The Juilliard School in organ performance and choral conducting. He has been featured on ABC World News Tonight, National Public Radio, and Minnesota Public Radio, as well as in The New York Times and The Wall Street Journal. He was featured in the WIRED video series “Masterminds,” an installment titled, “What Conductors Are Really Doing.” Kent is a native of Spirit Lake, Iowa.

www.kenttritle.com

Kent Tritle on Facebook:  www.facebook.com/kenttritle

Kent Tritle on Instagram:   www.instagram.com/kenttritle

Amir Farid

Pianist

Winner of the 2006 Australian National Piano Award, U.S-born Iranian-Australian pianist Amir Farid has been described as “a highly creative musician – a pianist of great intelligence and integrity”. Residing in both Melbourne and New York City, Amir has performed as a solo recitalist, concerto soloist and collaborative artist in concert halls and festivals internationally, including Carnegie Hall, St. Martin in the Fields, Mostly Mozart Festival at Lincoln Center, Al-Hashemi-II in Kuwait, as well as other venues in Canada, Germany, Switzerland, New Zealand and China.

Recital collaborations include, tenor Ian Bostridge, sopranos Greta Bradman and Siobhan Stagg, baritone Wolfgang Holzmair, as well as many instrumental soloists. As a chamber musician, Amir is pianist of the Benaud Trio, winning the Piano Trio prize at the 2005 Australian Chamber Music Competition, as well as pianist with the Exponential Ensemble in NYC. He has also recorded for the Steinway & Sons Spirio catalog, as part of the piano manufacturer’s revolutionary player-piano system.

Amir has studied with Ronald Farren-Price, Andrew Ball, Geoffrey Tozer, Rita Reichman and Timothy Young, at the Royal College of Music, Melbourne Conservatorium of Music and the Australian National Academy of Music. In addition to his work with the OSNY, Amir is a staff pianist at the Vocal Arts department of the Juilliard School, and has worked as a rehearsal pianist with the New York Philharmonic. Please visit amirfarid.com

David Rosenmeyer

Associate Conductor

David Rosenmeyer is in his twentieth season with the Society. He has conducted the Society’s Carnegie Hall performances of Stravinsky’s Mass, Fauré’s Cantique de Jean Racine, Britten’s Te Deum in C, and Orff’s Carmina Burana, as well as the chamber orchestra in Britten’s War Requiem. He is also Music Director of the Fairfield County Chorale in Connecticut.

Rosenmeyer’s conducting career spans orchestral, choral, and operatic repertoire, with performances across the Americas, Europe, and Israel. His engagements have included the Orquesta Sinfónica Nacional of Argentina, the Orquesta Sinfónica de Concepción in Chile, the Orquesta do Festival de Curitiba in Brazil, the orchestra of the Teatro Colón in Buenos Aires, and the Israeli Chamber Orchestra, as well as orchestras in Hungary, Italy and France. In 2009, he made his debut with Mexico’s Bellas Opera Company, conducting a gala for the Festival Internacional Cervantino in Guanajuato; he returned in 2010 to conduct the final gala of the Concurso de Ópera de Morelli. In 2023, he conducted Menotti’s The Medium for Fort Worth Opera in a production directed by Malena Dayen. He has taught at Mannes College of Music and New York University and on the faculty of several summer programs for opera singers, including the International Vocal Arts Institute in Tel Aviv. He was also music director for the Salzburger Marionettentheater’s production of The Sound of Music.

Alongside his conducting career, Rosenmeyer composes for opera and theater. His works include luzAzul, an opera for babies, and music for productions and theater labs at New York’s Target Margin Theater. His theater credits include the music for Kumis Teatro’s production of Antígona, which received the award for Best Music for a Play at the Primer Festival de Teatro del Mercosur in Pelotas, Brazil. His collaborations with theater artist and director Malena Dayen include Searching for Odradek and other experimental performance projects. Born in Argentina and raised partly in Israel, Rosenmeyer holds a master’s degree in conducting and music theory from Mannes College of Music, where he received the Felix Salzer Award and a scholarship from the Joyce Dutka Foundation.

Board of Directors

Chair
Jennifer E. Herring

President
Gyasi N. Barber

Vice President of Operations
Elke D. Raskob

Vice Presidents
Evan Fein
Janet Plucknett
Elizabeth Simpson

Treasurer
Alan Meltzer

Secretary
Deirdre O. Schell

Directors
Deborah Bradley-Kramer
Katherine S. Cahill
Erin Flannery
Angel Gardner
Tina Gonzalez
Barbara Harrington
Doug Harrison
Claudia Huter
Nicholas W. Lobenthal
Katrin K. Naelapaa
Sidney Outlaw
Chas Stewart
Oscar Vallejo
Mary Vaughn
HaeNa Waechter
Lisa Waterworth
Susan Zwanger

Directors Emeriti
Thomas Damrosch
Tim Dwight
Kathleen Flaherty
William Forsyth
Catherine M. Green
Jay Jacobson
Mary-Jo Knight
Robin Ludwig
DiAnn Pierce
Gary Schieneman
Julia Turner
Albert Watson

Chairman Emeritus
Richard A. Pace 

Administration

Erica Jacobsohn Executive Director
DiAnn Pierce Member Librarian & Liaison
Steven Caldicott Wilson graphic designer + webmaster